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Generally, students felt that their education was equal to that of previous years (Likert scale = 3.24 ± 1.05), fostered an appreciation for anatomy (4.56 ± 0.59), promoted teamwork (4.13 ± 0.85), and prepared them for practical examinations (4.18 ± 0.74). Through an anonymous survey aimed at gleaning student satisfaction, this study demonstrates that this hybrid prosection‐based anatomy course aligned with student preferences both assuming no health risk (64.6% agreed) and given the current risk of contracting Covid‐19 (78.5% agreed). A hybrid model that emphasized learning from prosected cadavers and self‐study stations was implemented, with the remainder of the students’ time directed toward studying at home. While many institutions were obliged to adopt a fully‐remote online model, the New York Institute of Technology College of Osteopathic Medicine strove to develop a curriculum that would allow medical students to receive an in‐person anatomy education. While providing a record of unprecedented contemporary circumstances, we also aim to utilise our observations and experiences of COVID-19 pedagogy when developing ongoing strategies for delivering curricula and futureproofing educational practice.įew realized the extent of disruption that the Covid‐19 global pandemic would impose upon higher anatomical education. In doing so, we provide insights into the impacts and successes of our interventions. Moreover, we outline research-informed digital visualisation solutions to pandemic-era challenges and reflect upon experiences gained within our own educational context. Here, we describe our technology-enhanced adaptations to COVID-19 across the domains of teaching, learning and academic support for pre-clinical learners studying basic life sciences and clinical skills. Nonetheless, the pandemic has produced favourable conditions for the creation of valuable digital visualisation strategies for learning and teaching, and for developing and modernising universal approaches to remote education. However, the emergence of COVID-19 has resulted in widespread technological challenges for educators and learners, and has raised pedagogic, logistical and ethical concerns. Within the modern pedagogic landscape, the development and introduction of technology-enhanced learning strategies have enhanced the provision of remote learning resources in pre-clinical education. Learners apply basic science knowledge to clinical scenarios during training in practical examination, communication and reasoning skills. The anatomical sciences of gross anatomy, histology and embryology, and life sciences including physiology, pharmacology and genetics are key disciplines taught within the integrated case-based EOMP curriculum. This period is designed to support entrants in their transition from further education into the advanced study and practice of clinical medicine. The undergraduate medical programme at Newcastle University (NU) includes a fundamental ‘Essentials of Medical Practice’ (EOMP) phase comprising the first 2 years of study. The developed methodology can be used to create new models from scratch, which can be used will find implementation in different medical and scientific fields-simulation processes, anthropology, 3D printing, bioprinting, and education. In total, 28 models have been optimized and printed. In its turn, radiological data have been obtained from the “New Mexico Decedent Image Database”. For 3D printing, the Ultimaker 5S 3D printer along with PLA material was used. In this study, only free and cross-platform software from widely available internet sources has been used-“Meshmixer”, “3D Slicer”, and “Meshlab”. The study aimed to develop a detailed methodology for the creation of anatomically correct and optimized models for 3D printing from radiological data using only free and widely available software. Visualization along with 3D printing have already found their implementation in different medical fields in Pauls Stradiņš Clinical University Hospital, and Rīga Stradiņš University, where models are being used for prosthetic manufacturing, surgery planning, simulation of procedures, and student education. Educational institutions in several countries state that the education sector should be modernized to ensure a contemporary, individualized, and more open learning process by introducing and developing advance digital solutions and learning tools. 14: It's Johnny's BirthdayĪfter Winter signed to Columbia Records in 1969, his former associates began licensing albums consisting of Winter's early singles and demos for various labels. List of "Live Bootleg Series" albums with year, title, details, chart peak, and reference(s) Year The peak chart positions refer to Billboard 's " Blues Albums" chart (none appeared on the broader Billboard 200 album chart). The recordings were not state-of-the-art for the time and many similar recordings had previously circulated as actual bootleg albums. The CDs and LPs include the notice: "All master recordings are owned and controlled by Johnny Winter and are compiled from the authorized Johnny Winter archives". The "Live Bootleg Series" are authorized, official releases produced by Winter for the Friday Music label.
Providing discounts is also quite common. If you are still confused about how to set it, check here for a detailed tutorial.It's normal for businesses to receive refund requests or returns from customers. Then set the keys! For example, a suggestion could be, Left Joystick for moving direction control, and preferred keys for single click.Enter Controller interface in Keyboard Mapping setting.Connect your controller to your PC and Wakuoo will automatically detect it.If you feel the information provided is not enough or you would like to know about more about keyboard mapping on Wakuoo, check here.Ĥ.After settings the two keys, click Save to exit.For example, I set Space for Jump, U for Multiple-Shoot, H for Grenade, J for Shoot. Users can set any key in the keyboard to release a skill or finish one operation. To be clear, Single-click is the keyset which allows users to tap the key to perform one click.Single Click: Drag the key to your preferred area, set a key for skill release, then done! To be more clear, D-pad controls your moving direction and Wakuoo sets the key as WASD by default, which is the commonly used keyset, but users can also customize it to preferred settings.D-pad: Drag the key to the left to cover the orginal key, then you are done Since the game is quite simple, you just need to set 2 keys: 1. D-pad and 2. Single Click. Play Contra Returns Using Keyboard or Gamepadįollow the steps to set keyboard or controller mappings to play Contra Returns:ġ.Find “Keyboard mapping” on your toolbarĢ.Enter keyboard settings (this step is for gameplay using keyboard, if you want to know about controller, keep reading)ģ.Drag your preferred keysets to the game area and set themįor Contra Returns, all you need to do is to move forward or backward, shoot or release a skill cast. After installation, you could enjoy the game at any time by clicking the game icon! If notified, you could login to your Google account in the pop-up windowĪlso note: you could access Google Play Store at any time on the main page of WakuooĤ. Install the game (note: Wakuoo automatically redirects you to Google Play Store) Gaming with PC screen and keyboard, users could get both a better visual and a greater keyboard-control experience.Ģ.Search for the game“Contra returns”in the searching bar on the leftģ. We would recommend you to download Wakuoo on our website here - on Wakuoo, users can run mobile games at any Android version (Android5/7/9). All you need to do to download a game is to login your Google Play Store account, then you could search for the game like how you do it on your mobile phone. Wakuoo allows you to play mobile games on PC. Hmmm… sounds hard, but quite easy actually.įollow the steps to download and play Contra Returns on PC: Then you might wonder: is there a way to play Contra or any games with keyboard or gamepads (handle or controller) again? Let’s admit it: Controller/keyboard + big screen is always the best option for die-hard gamers. Nostalgia evoked, right? It’s also easy to recall the days when games were displayed on TV or screens bigger than iPhone. Keep reading to find out!Įven though gameplay on mobile phones is becoming the biggest trend, you might miss the time when everything is just simple - check this pic below: do you still remember this Nintendo entertainment system? Especially, this controller? But let me tell you a secret: there is still a way to play it using controller or PC keyboard if you are feeling nostalgic, which transport you straight back to the 90s, but could also brings you the best gaming experience. In Contra Returns, players can enjoy the classic side-scrolling gameplay, two-person teams, alien bosses, and signature settings and soundtrack from the original series! All with updated HD resolution, 3D character models, and vivid acoustic and visual effects to deliver a sensory experience like no other! Get your fighting spirit all fired up with innovative content: real-time PvP battles, unique heroes, companions, and team mode! Legendary heroes Bill and Lance are making a comeback, so let’s kick some alien butt and save the world!ĭeveloped by famous Japanese game company KONAMI and world-leading game developer TIMI, Contra Returns aims to bring the classic Contra experience to mobile platforms. Remember the secret code: Up, Up, Down, Down, Left, Right, Left, Right, B, A to get extra lives?Īfter a 30-year hiatus, the Contra you know and love is back! Using a sheet of rice paper from the kit or a soft cotton cloth, remove any oil that is still on the blade from the previous maintenance. There are three steps: removing oil, polishing the blade and oiling the blade. You can purchase a traditional sword cleaning kit that will have everything you need. Having a regular cleaning routine in place is key to maintaining your katana. This is achieved by having the two parts of the blade cooling at different speeds during the forging process. A katana’s blade needs to have a harder edge for retention and a softer spine for flexibility. What is that wavy line running down my blade?Īlso known as the hamon, it’s the visual divide between the harder and softer metal of the blade. It comes in many shapes and designs from basic to highly ornamental. This is, basically, the handguard on a katana and it sits between the blade collar or habaki, which is at the top of the blade, and the handle or tsuka. Are you looking for a sword to use or just as a decorative item to wear or display? Once you decide to what purpose you will be using your sword, then, take a look at the different variety of designs and ornamentation that can be found and choose the one that fits your personality, style and budget. The first thing that needs to be taken into consideration is display versus functional. What should I look for when buying a katana?.This weapon was used for slashing and stabbing motions in combat not necessarily for blocking or clashing. The blade is sheathed in a scabbard, which is traditionally made of lacquered wood. The handle is long and traditionally wrapped in rayskin and then a "braid" of silk or cotton. It has a curved, single-edged blade that is slender and a square or circular guard. The katana is a Japanese sword used by Samurai, an aristocratic warrior class in feudal Japan. These katanas are truly inspired and unique with always evolving forging processes to create blades with blue Damascus steel, HellFyre Damascus and clay-tempered T10 high carbon steel, among others. This is because tachi and katana blades are traditionally displayed in the orientation in which they would originally have been worn on the body.Hand-forged by expert swordsmiths with generations of knowledge behind them, the Japanese katanas offers are beyond compare. You may notice that in photographs of Japanese swords that some are positioned with the blades facing up and others with the blades facing down. In contrast, the new katana could be worn inserted into the sash, with the blade facing up. The heavier and longer tachi was worn slung from the waist, with the blade facing down. The change in type of of sword also influenced how they were worn. While the very long tachi had been the main type of blade up through the middle of the Muromachi period (1392–1573), it was thereafter replaced with the shorter, lighter uchigatana, or katana. The fighting ended with the advent of the Tokugawa Shogunate, which led to significant changes in the demand, supply, and crafting methods for swords. (There are also additional subcategories that signify various differences within the different time periods.) The Battle of Sekigahara of 1600 is often cited as the borderline between "old" and "new" Japanese swords in other words, the type of swords made and used in Japan changed dramatically in the years surrounding the Keichō era (1596–1615). Historically, sword production falls into three broad categories:”old swords” (kotō), ”new swords” (shintō) and ”new,new swords” (shinshintō). Some see The Velvet Underground as being a bridge between the Read Full Bio The Velvet Underground was a pioneering experimental rock band from New York City first active from 1965 to 1973. The band also collaborated with Nico for their debut album in 1967, under the supervision of producer and pop artist Andy Warhol. Its best-known lineup consisted of vocalist/guitarist Lou Reed, bassist/violist John Cale, guitarist Sterling Morrison and drummer Maureen Tucker. The landscape of her new and much smaller property was a design challenge for the both of us.The Velvet Underground was a pioneering experimental rock band from New York City first active from 1965 to 1973. Change comes sooner or later to people and gardens alike. All these years later, there is a body of work generated by the two of us that I call the landscape – that living and breathing discussion about nature that draws every gardener closer to the knowledge that life is equal parts mystery and miracle. Spring would invariably bring or suggest something new. #VERNISSAGE LYRICS ENGLISH FULL#ĭeterring deer became nearly a full time job. There were disasters to cope with, as in the loss of an enormous old American elm. We had a relationship that I still treasure. I learned how to operate a bulldozer, I so wanted to be an intimate and hands on part of the sculpting of the ground. Another year we completely regraded all of the land devoted to lawn, and regrassed. A grove of magnolia denudata “Ivory Chalice” came a few years later. An edited collection of fine white peony cultivars dating from the late 19th and early 20th century was exciting to research and plant. The years flew by, from one project to the next. She was passionately involved in the disposition of every square foot of her 8 acre property. Our relationship developed such that I began to redesign, reshape, and replant her landscape. In the beginning, I planted flowers for her. I learned plenty from her, and from her garden, over the years. Our conversation over the years spoke to the value of nurturing long term interests and commitments in the landscape. I learned the word 23 years ago from a client with whom I had a history spanning better than 25 years. Strictly speaking, the French word vernissage refers to the opening of an art exhibition. I feel sure there will be more to come from the two of us. I have a respect for him that continues to grow. Yes, we have had our rough moments, but I take a great deal of pride in what we have created. It has been a very engaging and productive 28 years. April 1 of 1992 was Rob’s first day working with me. This date has another very special significance to me. I must have been speechless in 2019-if you write, you know that happens. To follow is a revisited, rethought, and revised version of my first post in 2009, annotated in 2010, 2012, 2014, 2015, 2016, 2017, and today-April 1 of 2020. I am vastly less certain of almost everything than I was when I was 30. The older I get, the less I have to say – which seems appropriate. I write when I think I have something to say. More recently, my posts are longer, and more detailed-and fewer. Every moment that I have spent photographing gardens, landscape projects, and plants for this column has been time in the garden that has made me slow down, observe and reflect. Some are fun, and others I hope are challenging.īut I have thoroughly enjoyed the process of organizing my thoughts, and writing them down in some in some coherent form. #Pisse vernissage lyrics english how to#. It doubles as a parody of a similarly named game show, too.
It's saturated with the sensory joys of the race track, and a pleasure to read. Beem has written a smart, perceptive novel - one that is about the difficulties of addiction and recovery - but also about the yearning for love, and the ways people fill the vacancies in their lives. It's as horrifying as it is intense and written with a lean sharp eye."-Willy Vlautin, author of The Free and The Motel Life"Jason Beem's Southbound begins with the drama of a close horse race - and it never lets up from there. He's on a straight path southbound to rock bottom and only he has the power to stop it."A gritty fearless portrayal of a man in the midst of a gambling breakdown. Despite knowing that all he loves is on the line, he succumbs to his vices and his life quickly spirals out of control. Just one bet could cost him everything.his job, his friends, his fans, his girlfriend, and even his own life. JASON CROWNER, BALTIMORE, MD JUAN PABLO MORENO, SANTIAGO, CHILE MELANIE. Based on author Jason Beem's own painful journey with a gambling addiction, Southbound follows Ryan McGuire, a horse racing announcer who faces his gambling demons on a daily basis. Name: Melanie S Beem, Phone number: (503) 697-0642, State: OR, City: Lake Oswego. I sweat reading it."-Lidia Yuknavitch, author of The Chronology of Water and Dora: A Headcase. Jason Beem's novel Southbound derails your ordinary life and shoots you into the thrill, rush, and dark brutal truths of gambling and racing. "There's a line that runs alongside our ordinary lives, just beyond the grind of things. Go on to discover millions of awesome videos and pictures in thousands of other categories. Fans can look forward to more of Wurst’s content on her channel and podcast in the future. View 42 pictures and enjoy LizzyWurstOF with the endless random gallery on. Lizzy wurst leaked nudes Lizzy wurst topless Lizzy Wurst Topless Lingerie Nu. 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Both booster and orbiter would have rocket engines plus jet engines for use within the atmosphere, plus separate fuel and control systems for each propulsion mode. In space and aviation systems, the cost is closely related to mass, so this meant the overall vehicle cost would be very high. However, further studies showed a huge booster was needed to lift an orbiter with the desired payload capability. The idea was that full reusability would promote lower operating costs. After completing its mission, the winged orbiter would re-enter and land horizontally on a runway. The booster would return and land horizontally, while the orbiter continued into low Earth orbit. The booster vehicle would lift the orbiter to a certain altitude and speed, then separate. This involved a very large winged manned booster which would carry a smaller winged manned orbiter. Initially, a fully reusable design was preferred. Maxime Faget's DC-3 concept employed conventional straight wings.ĭuring the early shuttle studies, there was a debate over the optimal shuttle design that best-balanced capability, development cost, and operational cost. NASA chose to develop the Space Shuttle program first, and then planned to use the shuttle in order to construct and service a space station. Funding restrictions precluded pursuing the development of both programs simultaneously, however. This program mainly consisted of the construction of a space station, along with the development of a Space Shuttle. A low Earth orbital infrastructure programīased on the advice of the Space Council, President Nixon made the decision to pursue the low Earth orbital infrastructure option.The Council considered four major options: The recommendations of the Council would heavily influence the decisions of the administration. In 1969, United States Vice President Spiro Agnew chaired the National Aeronautics and Space Council, which discussed post- Apollo options for human space activities. With the Air Force's assistance, the system emerged in its operational form. To lower the development costs of the resulting designs, boosters were added, a throw-away fuel tank was adopted, and many other changes were made that greatly lowered the reusability and greatly added to the vehicle and operational costs. The Air Force was mildly interested but demanded a much larger vehicle, far larger than the original concepts, which NASA accepted since it was also beneficial to their own plans. This led to an effort to interest the US Air Force in using the shuttle for their missions as well. When funding for the program came into question, there were concerns that the project might be canceled. By 1970 the shuttle had been selected as the one major project for the short-term post-Apollo time frame. The shuttle project rose to the top, largely due to tireless campaigning by its supporters. Three were eventually presented to Vice President Agnew in 1969. As each of these projects fought for funding, the NASA budget was at the same time being severely constrained. Numerous offerings from a variety of commercial companies were also offered but generally fell by the wayside as each NASA lab pushed for its own version.Īll of this was taking place in the midst of other NASA teams proposing a wide variety of post-Apollo missions, a number of which would cost as much as Apollo or more. An attempt to re-simplify was made in the form of the DC-3, designed by Maxime Faget, who had designed the Mercury capsule among other vehicles. This was a two-stage system with delta-winged spacecraft, and generally complex. One was designed by engineers at the Manned Spaceflight Center, and championed especially by George Mueller. The primary intended use of the Space Shuttle was supporting the future space station, ferrying a minimum crew of four and about 20,000 pounds (9,100 kg) of cargo, and able to be rapidly turned around for future flights. The early studies were denoted "Phase A", and in June 1970, "Phase B", which were more detailed and specific. Before the Apollo 11 Moon landing in 1969, NASA began studies of Space Shuttle designs as early as October 1968. |